"Multiple Exposure-Flower and Circus"

Multiple Exposure-Flower and Circus 2013

                               Photogrpaher: Michelle Lan

This series is about the multiple exposure and I used the Holga film camera.My major idea is about the flower and mix a lot flower together but I also play with the exposure with building.

My favorite one is a lot flower together and they all show in different angle, that's what I really want to play with it. In the end I'm happy for my result and they showing really good and powerful. 

Photographer: Tim Walker

Tim Walker

                   Photographs 1970

Tim Walker is one of the most visually exciting and influential fashion photographers working today. Extravagant in scale and ambition and instantly recognisable for their eye-opening originality, Walker’s photographs dazzle with life, colour and humour. His recent work is drawn from the pages of the world’s leading magazines: British, French, American and Italian Vogue, Vanity Fair, W and The New Yorker among many others.

Walker’s photographs provided the focus of the exhibition, but the camera, he claims, ‘is simply a box put between you and what you want to capture’. Everything in Walker’s pictures is specially constructed and in a glimpse behind the mechanics, there were installations and a selection of the extraordinary props and models on show: giant grotesque dolls for Italian Vogue and an almost life-size replica of a doomed Spitfire fighter plane.

Look his work like read a fairy tales. I love the colour that his used, so colorful and powerful. Also I thing these photo are totally fashion!!  

Photographer: Ninagawa Mika

Ninagawa Mika

            Photographs 1972

Ninagawa Mika is my favorite photographer and I can't more my eyes away from her works.Her work is filled with flowers of different colors and lots of goldfish, Ninagawa love to use a lof colour that look really bright and contrast.  

Photographer: Matt Mawson

Matt Mawson

Photographer: Amy Blakemore

AMY BLAKEMOREPhotographs 1988–2008

Amy Blakemore: Photographs 1988–2008 offers a twenty-year survey of Blakemore’s work, ranging from her black-and-white street photographs of the late 1980s to her recent portraits and landscapes. Originally rooted in documentary traditions, Blakemore has compared the activity of photography to the process of gathering broken bits and lost objects discovered serendipitously during long walks.

Blakemore’s work is in part defined by her embrace of idiosyncratic, low-tech cameras that have a limited focal range, allowing an unpredictable degree of incident to enter into her compositions. At the same time, her compositions are rigorously composed, and through masterly printing techniques she brings out a remarkably nuanced palette, whether working in black and white or in color.

Blakemore’s recent photographs concentrate on the figure, whether randomly captured or formally posed. What remains tantalizing throughout her work is the sense of interrupted and incomplete narrative. What at a glance may appear to be a banal mise en scène on closer examination is revealed as a mysterious and psychologically penetrating view of the world we live in.

HERE IS HER WORKS:

Jill in Woods, 2005. Chromogenic color print, 19 x 19 in. (48.3 x 48.3 cm). Collection of the artist; courtesy Inman Gallery, Houston

Amy Blakemore, Three Girls, 1988. Gelatin silver photograph, 15 x 15in. Courtesy of the artist and Inman Gallery, Houston. 

Plasters Marys, 1992 by Amy Blakemore, American, b 1958, Gelatin silver photograph

Dog in Snow, 2004, Amy Blakemore, American, b. 1958, chromogenic photograph, Courtesy of the artist and Inman Gallery, Houston.

Amy Blakemore (American, b. 1958), "Swing" gelatin silver photograph, 15" x 15", 1992. Image: courtesy of the artist and Inman Gallery, Houston Courtesy of the artist and Inman Gallery, Houston